Sunday, October 19, 2008

Old music with fresh ears

The latest trend here is a very old one: Classical music

Paul Potts' opera song "Nessun Dorma" was downloaded in record numbers and his album was an absolute chart breaker. Celebrated techno DJs recompose orchestra pieces and mix them with electronic beats. Young Berlin hipsters flock to the coolest clubs in the city to listen to live performances of Händel and Haydn.

The question is: Is this just another see-and-be-seen fad that will soon be replaced by something new? Or will those events create curiosity and a desire for more among classical newbies? And will the existing opera houses, orchestras and smaller venues be smart enough (and willing) to open up to those not-yet-experts.

The Berlin State Opera set a good example with their recent "Staatsoper for everybody" event. To start off the fall season, they installed giant video screens and a stage on the central square in front of the prestigious opera house and star conductor Daniel Bahrenboim and his ensemble performed two shows for free. The open-air opera and concert were a huge success - in fact, the traffic on the neighboring boulevard had to be blocked because 45.000 people came to listen.

Live music is great because you can see and hear and then really appreciate the artists’ passion and skills. It's those wow-this-is-awesome-I-wish-I-could-do-that-moments that make the difference between i-pod and stage. And this is exactly why I think this Cello Challenge website for the Berlin Philharmonic is a hit, too. It's like guitar hero with a bow.

In a playful, yet addictive way it illustrates the fascination of classical music (and interactive). It shows me that I can be there when this guy produces tunes with his bow and strings that I can’t even master with a simple mouse. So, it would be very kind of you if you could participate in the raffle at the end of your personal cello show and then send your free tickets to me, please.

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