Paul Potts' opera song "Nessun Dorma" was downloaded in record numbers and his album was an absolute chart breaker. Celebrated techno DJs recompose orchestra pieces and mix them with electronic beats. Young Berlin hipsters flock to the coolest clubs in the city to listen to live performances of Händel and Haydn.
The question is: Is this just another see-and-be-seen fad that will soon be replaced by something new? Or will those events create curiosity and a desire for more among classical newbies? And will the existing opera houses, orchestras and smaller venues be smart enough (and willing) to open up to those not-yet-experts.

Live music is great because you can see and hear and then really appreciate the artists’ passion and skills. It's those wow-this-is-awesome-I-wish-I-could-do-that-moments that make the difference between i-pod and stage. And this is exactly why I think this Cello Challenge website for the Berlin Philharmonic is a hit, too. It's like guitar hero with a bow.
In a playful, yet addictive way it illustrates the fascination of classical music (and interactive). It shows me that I can be there when this guy produces tunes with his bow and strings that I can’t even master with a simple mouse. So, it would be very kind of you if you could participate in the raffle at the end of your personal cello show and then send your free tickets to me, please.
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